Jurors

Jurors announced for 12th annual Sondheim Artscape Prize. Artscape 2018 information coming soon!

Take a look back at the jurors for the 12th annual Janet & Walter Sondheim Artscape Prize.

2017 JURORS

Ruba Katrib is a curator at the SculptureCenter in Long Island City, New York, where she is responsible for organizing exhibitions, educational and public programs, publications, and for coordinating all aspects of program presentation. At the SculptureCenter she has produced the group exhibitions The Eccentrics (2015), Puddle, Pothole, Portal (2014) (co-curated with artist Camille Henrot), Better Homes (2013), and A Disagreeable Object (2012); and exhibitions with solo artists Rochelle Goldberg (2016), Anthea Hamilton, Gabriel Sierra, Magali Reus, Michael E. Smith, and Erika Verzutti (all 2015). Recently, she has also co-curated Visitors (2015) with Tom Eccles, a group exhibition of public art on Governors Island, New York. In her previous post as the associate curator at the Museum of Contemporary Art (MOCA), North Miami, Florida, she organized several solo and group exhibitions including Dark Continents (2008) and The Reach of Realism (2009), which explored the traditions of realism within the digital age, as well as the first museum retrospectives of Cory Arcangel and Claire Fontaine (both 2010). Katrib has contributed texts for a number of publications and periodicals including Art in America, Parkett, and cura. magazine. Katrib received her BFA from the School of the Art Institute of Chicago, where as an undergraduate in 2003 she co-founded the Chicago based non-profit arts group Threewalls. She received her Master’s degree in Curatorial Studies from Bard College in 2007.

Clifford Owens is a New York-based contemporary artist who works in multiple media: performance, photography, text and video.  His work, often combining more than one of these media, serves to challenge expectations of race and gender, time and space, power and permission, performer and spectator. His recent solo exhibitions include Hard & Fast, INVISIBLE-EXPORTS, New York (2016); Clifford Owens: Selections from Anthology, Yerba Buena Center for the Arts, San Francisco, California (2015); A Forum for Performance Art, Brooklyn Academy of Music, Brooklyn, New York (2014); Five Nights’ Worth, Performa 13, New York, New York (2013) and Clifford Owens: Anthology, MoMA PS1, Long Island City, New York (2012). Owens has performed or has also been included in dozens of group exhibitions nationally and internationally, including those recently at the Walter Art Center, Minneapolis, Minnesota (2014); The Studio Museum in Harlem, New York, New York (2014, 2013, 2012); Contemporary Arts Museum Houston, Houston, Texas (2013, 2012, 2011) and the Museum of Modern Art, New York, New York (2011). Owens’ work is included in the permanent collections of the Museum of Modern Art and The Studio Museum in Harlem. He has been awarded the William H. Johnson Prize (2012) and the Louis Comfort Tiffany Award (2007), and has been an artist-in-residence at the Skowhegan School of Painting and Sculpture, Skowhegan, Maine (2004); as well as a visiting artist at dozens of universities throughout the country. Owens was born and raised in Baltimore, Maryland; he received his BFA from the School of the Art Institute of Chicago in 1998 and his MFA from Rutgers University in 2000.

Nat Trotman, Curator, Performance and Media, joined the curatorial department at the Solomon R. Guggenheim Museum in 2001, working on the blockbuster exhibition Matthew Barney: The Cremaster Cycle.  Since  this triumph, he has curated several other large scale exhibitions for the Guggenheim campuses, including the exhibition currently on display, Lenka Clayton and Jon Rubin: . . . circle through New York,  Peter Fischli David Weiss: How to Work Better, co-curated with Nancy Spector and shown in New York (2016), James Turrell, co-curated with Carmen Giménez and shown in New York (2013), Pawel Althamer: Almech, shown in Berlin (2012), Found in Translation, shown in New York and Berlin (2011, 2012), Haunted: Contemporary Photography/Video/Performance, co-curated with Jennifer Blessing and shown in New York and Bilbao (2010, 2011), and Catherine Opie: American Photographer, as assistant curator with Jennifer Blessing and shown in New York (2009). He has also developed performative and site-specific projects for the Solomon R. Guggenheim Museum rotunda in New York in collaboration with artists such as Susan Philipsz (2010), Tino Sehgal (2010), Sharon Hayes (2009), Meredith Monk (2009), and Francesco Vezzoli (2007), among others. He is also charged with helping develop the Guggenheim’s collection of photography, video, and film, and is closely involved in the museum’s performance programming. In addition to catalogue essays for several of the above mentioned exhibitions, Trotman has published on Matthew Barney and Joseph Beuys, Jane and Louise Wilson, among many others. Trotman holds an M.Phil. from the Graduate Center of the City University of New York, where he focused on performance, photography, and time-based art, and is a graduate of the Whitney Museum’s Independent Study Program.

Janet & Walter Sondheim Artscape Prize
The Artscape prize is named in honor of Janet and Walter Sondheim who have been instrumental in creating the Baltimore City that exists today.  Walter Sondheim, Jr. had been one of Baltimore’s most important civic leaders for over 50 years.  His accomplishments included oversight of the desegregation of the Baltimore City Public Schools in 1954 when he was president of the Board of School Commissioners of Baltimore City.  Later, he was deeply involved in the development of Charles Center and the Inner Harbor.  He continued to be active in civic and educational activities in the city and state and served as the senior advisor to the Greater Baltimore Committee until his death in February 2007.

Janet Sondheim danced with the pioneering Denishawn Dancers, a legendary dance troupe founded by Ruth St. Denis and Ted Shawn. Later, she turned to teaching where she spent 15 years at the Children’s Guild working with severely emotionally disturbed children. After retirement, she was a volunteer tutor at Highlandtown Elementary School. She married Walter in 1934, and they were together until her death in 1992.

Artscape
America's largest free arts festival, attracting more than 350,000 attendees, offers concerts on multiple outdoor stages, art exhibitions, an artists’ market, a full schedule of dance, theater and opera, jazz, classical, folk and experimental music, children’s activities, exhibitors, and an extensive variety of local food and beverage vendors on Mount Royal Avenue and North Charles Street.

The 2018 Janet & Walter Sondheim Artscape Prize is made possible through the generous support of the Abell Foundation, Baltimore Community Foundation, Brightside Foundation, Brown Advisory Charitable Foundation, Caplan Family Foundation, Charlesmead Foundation, Ellen Sondheim Dankert, France-Merrick Foundation, Greater Baltimore Committee, Hecht-Levi Foundation, Legg Mason, Amy & Chuck Newhall, Rollins-Luetkemeyer Foundation, Henry & Ruth Blaustein Rosenberg Foundation, Rosemore, Inc., Rouse Company Foundation, M. Sigmund & Barbara Shapiro Philanthropic Fund, John Sondheim and William G. Baker, Jr. Memorial Fund.

With special thanks to M&T Bank for their ongoing annual support, along with those making contributions to the Sondheim Prize in honor of Bill Gilmore: Whiting-Turner Contracting Company, Dr. Frank Marino Foundation, Days Inn Inner Harbor, Suzanne Cohen, Nancy Hackerman, Kathleen Basham, James Adams, Barbara Bozzuto, Elizabeth Bruen, Rosalind Healy, Alyce Myatt, Andrea Vernot & Brent Burkhardt, Laura Burrows, Alexander Baer, Linda Blume, H. Chace Davis, Stanford Gann, Mark Klotzbach, Leslie Helen Shepard, and Janet Marie Smith.

For more information on the Janet & Walter Sondheim Artscape Prize, call 410-752-8632.

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